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Issue #42 of befores & afters magazine breaks down the various visual effects challenges on Paul Greengrass' The Lost Bus. We talk to visual effects supervisor Charlie Noble, visual effects producer Gavin Round, special effects co-ordinator Brandon K. McLaughlin, and to visual effects supervisors from vendors Industrial Light & Magic, beloFX, Cinesite, Outpost VFX and RISE. Learn about several aspects of the visual effects production on The Lost Bus, including the real-time approach to planning the scenes, the practical effects utilized during shooting, the making of ‘Ember-cam’, how smoke plumes were produced, details on specific fiery scenes, and that final breathtaking bus drive through the wildfire.
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