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A homogeneous colour analysis of the work of Claude Monet. Ask ten people to name the colours of a painting and you will get ten answers. ATLAS of Colours gives one, and gives it the same way every time. Seventy paintings by Claude Monet, from 1865 to 1925, are read one after another by a proprietary algorithm developed by Edera Artware. Grounded in colour science, it performs a homogeneous analysis of each image and identifies the points of colour that define the work. Because the same procedure governs every reading, the results are directly comparable: any plate against any other, across paintings, across artists and across volumes of this collection. Monet painted the same subject again and again, at different hours and in different seasons, and this volume is built to show it. Nine readings of the water lilies, five of the Japanese footbridge, four of the grainstacks, four of the poplars and four of Rouen Cathedral. Placed side by side and measured the same way, they make visible something no colour book has printed before: how the palette of one motif moves with the light. Every colour is written in EDEC, the Edera Colour format: a code that is a position rather than a name. Sorted, EDEC codes walk the palette by proximity; scanned, they open the same palette on screen, ready to export to ASE, ACO, GPL, SVG, CSS or JSON. The codes are unique across the whole atlas, so a colour from this volume can be compared with one from any other. Painters, illustrators and designers. Interior, textile and product studios. Art directors, colourists and colour consultants. Anyone who needs a palette that can be justified rather than guessed. ATLAS of Colours · Monet is the fifth volume of the Edera Artware collection, published by Vector Zero. Large format, hardcover, 476 pages.
The EDEC code
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