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DMB on the Rocks: Under the Rocks and Dreaming That night is the best-known chapter of a longer relationship. This book documents thirteen Dave Matthews Band — and Dave Matthews solo — performances at Red Rocks across seven years: a thinly attended opening slot in 1993, back-to-back nights in 1994, 1997, and 1998, the landmark 1995 headline show, a four-night September 2005 run that produced a second live album and doubled as a Hurricane Katrina relief benefit, and a single, stripped-down 2008 performance by Dave Matthews and guitarist Tim Reynolds alone, played five days after the death of longtime saxophonist LeRoi Moore. Red Rocks' own promotional materials put the number at fifteen shows across five years; this book's own research, cross-checked across multiple independent archives, arrives at a different, fully sourced count — and says so plainly, including retracting an early, widely mirrored claim about three additional 2022 shows that turned out not to hold up under scrutiny. Where the record is incomplete or the sources disagree, this book tells the reader rather than papering over the gap. Dave on the Rocks follows that story chapter by chapter, from a Charlottesville bartender recruiting the best jazz players he'd ever seen to a five-piece band built around a violin and a saxophone as much as a guitar: the 1993 opening slot for The Tragically Hip, the fast-rising 1994 stand that shared a bill with Los Lobos, the album-length 1995 headline show that became the band's breakthrough live recording, two more years of Red Rocks stands timed to Crash and Before These Crowded Streets, the marathon four-night 2005 residency with Robert Randolph and the Neville Brothers sitting in, and the raw, two-guitar 2008 closing night that arrived five days after the band lost one of its five founding members. Every show gets its full setlist, embedded alongside the story of the night itself, and the book closes by tracing the band's Colorado touring history past Red Rocks entirely, to the far larger Fiddler's Green Amphitheatre across the Denver metro — a venue built to hold nearly double the crowd Red Rocks ever could.
On the night of August 15, 1995, a five-piece band from Charlottesville, Virginia played a sold-out show at Red Rocks Amphitheatre that neither the band nor the venue fully understood the size of yet. The Dave Matthews Band had been playing the room since 1993, first as an opening act nobody in the crowd had come to see. By that August night two years later, they were headliners, and the tape they made of the show became Live at Red Rocks 8.15.95 — a double live album that sold over two million copies, reached number three on the Billboard 200, and helped invent the modern professionally-recorded live album for jam-adjacent rock bands. Three decades later, it's still one of the best-selling live albums of the SoundScan era.
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