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Isbn 13: 9798175320771

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Crises: The Quiet Collapse of Adopted Lives is a sustained critical reading of Ingmar Bergman's 1946 debut film Crisis, reinterpreting it as a foundational study of fragmented identity, emotional dependency, and relational instability within adoptive family structures. Rather than treating the film as a minor early work, this book positions it as a concentrated psychological text that anticipates the thematic and emotional architecture of Bergman's later cinema.

Through a close and systematic analysis, the book examines how Crisis constructs identity not as a stable interior essence but as an ongoing negotiation shaped by competing forms of attachment, memory, and recognition. The narrative of a young woman caught between her adoptive and biological mothers becomes, in this reading, a wider meditation on the instability of belonging and the pressures placed upon the self when origin is uncertain or emotionally divided.

Each chapter isolates a specific dimension of the film's emotional and philosophical structure-silence, shame, temporality, embodiment, performance, absence, and relational conflict-allowing these elements to be explored in depth before being integrated into a broader interpretive framework. The result is not a plot-driven commentary, but a layered examination of how identity is formed, fractured, and maintained under conditions of emotional contradiction.

Drawing on film theory, psychoanalytic thought, and adoption studies, the book situates Crisis within both its historical context and its enduring psychological relevance. It explores how Bergman's early cinematic language already expresses concerns that would define his later work: the fragility of the self, the limits of communication, and the inability of love to fully resolve existential fragmentation.

At its core, this study argues that Crisis is not simply a melodrama of familial disruption, but an early cinematic articulation of a deeper condition: the quiet disintegration of coherent selfhood within systems of care that are themselves unstable. The "crisis" of the title becomes less an event than a persistent structure of lived experience-one in which attachment and identity remain perpetually in tension.

This book is intended for readers interested in Ingmar Bergman, European postwar cinema, psychoanalytic film interpretation, and the psychology of identity formation, particularly within adoptive and non-linear familial contexts.

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Isbn 13 :9798175320771
Encadernação Crisis: The Quiet Collapse of Adopted Lives:Capa Comum
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