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Georgia, 1934. She killed to save her brother. They hanged him anyway. Now she's coming for them all. The night the lights went out in Georgia, something died in Jessie Stubbins. Something cold and patient and unforgiving. Because debts don't die. And Jessie always finishes what she starts. ONE DEVASTATING STORY. THE SCREENPLAY (110 pages) THE STAGE PLAY (95 pages) Performance-ready theatrical script designed for regional theaters, university drama departments, and community playhouses. Flexible staging, powerful roles for ensemble cast, achievable technical demands. Two acts with natural intermission. WHAT READERS ARE SAYING: PERFECT FOR: 📽️ Independent filmmakers seeking strong female-led properties PRODUCTION-FRIENDLY FEATURES: For Film: BONUS MATERIALS INCLUDED: ✓ Production information for filmmakers and theater artists INSPIRED BY THE CLASSIC MURDER BALLAD ABOUT THE AUTHOR: "You take a life, you carry it. Even when it's needful. Even when it's justified. You carry it forever."
When 24-year-old Jessie Stubbins kills a man in self-defense, she triggers a devastating chain of events that will destroy her family and forge her into an avenging angel. Her brother Ray takes the fall for murders she committed to protect him. A corrupt sheriff destroys evidence to close the case cleanly. A vindictive judge ensures Ray dies in the electric chair for crimes he didn't commit—while the real killers walk free.
This complete collection presents Blood on the Dogwood in feature film screenplay formats—allowing you to experience Jessie's journey through two distinct dramatic mediums and understand how stories transform across platforms.
Camera-ready, professionally formatted screenplay suitable for independent production, film school study, or pitch packages. Includes detailed director's notes on tone, visual style, technical requirements, and thematic intent. Modest budget-friendly with strong female lead role and awards potential.
"Unflinching, brutal, and morally complex. This is Southern noir at its finest."
"The execution scene is devastating. I'll never forget the dimming lightbulb."
"Jessie Stubbins deserves to stand alongside the great tragic antiheroes of American drama."
📚 Film and theater students studying adaptation and dramatic structure
🎬 Screenwriting workshops exploring genre and moral complexity
📖 Readers who love behind-the-scenes insight into storytelling craft
🎪 Book clubs interested in comparing narrative forms
✓ Budget estimates and shooting schedules
✓ Historical context: Depression-era Georgia
✓ Discussion questions for book clubs and classrooms
✓ Glossary of screenplay terms
✓ Casting breakdowns and technical specifications
Based on Martin Francom's acclaimed Southern Gothic novel, adapted from the haunting 1972 song "The Night the Lights Went Out in Georgia"—a story of judicial corruption, family betrayal, and a sister who "had the gun" while her innocent brother hangs.
Martin Francom is a retired pharmacist and programmer turned novelist and screenwriter, specializing in Southern Gothic noir and morally complex narratives. Member of Kitsap Literary Arts and Writers Guild (KLAW). Pioneer in AI-assisted collaborative storytelling.
— Papa's lesson, from the prologue
Some stories demand to be told more than once.
Procurando BLOOD ON THE DOGWOOD: ScreenPlay? Aqui você encontra tudo sobre este livro de Martin Francom. Nesta página estão a descrição da obra, os detalhes da edição (97 páginas) e os formatos disponíveis para baixar: pdf, mp3, áudio-livro, kindle. Se você gosta de Livros Internacionais, Arte, Cinema e Fotografia, Teatro, Broadway e Musicais, explore também outros títulos da mesma categoria no LivrosQualidade. Veja ainda as outras obras de Martin Francom em nosso catálogo.
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